On her 70-year career, Louise Bourgeois has established herself as a world-renowned artist who left an indelible mark on the art world. This film offers an intimate portrait of this sculptor whose art is a reflection of her personal life. With exclusive audio recordings and unpublished personal archives, it tells the story of the artist’s life and work as they merge. Louise Bourgeois is her work and her sculpture is her body.

A focus on a year in the life of rapper Earl “DMX” Simmons as he is released from prison in early 2019 and attempts to rebuild his career in the music industry and reconnect with family and fans.

A behind-the-scenes look at the making of the live-action film "How to Train Your Dragon," following writer and director Dean DeBlois' journey of reimagining the animated franchise and revealing the film's elaborate sets and filmmaking technology.

Adventures of the "How to Rip Whale Tooth" (1977) heroes continue... The story takes place in the countryside, where little Vashko's dad takes him and his mother, and where another surprise awaits them: not only an excellent holiday in the setting of a rock town, but also the figure of a grandfather, understanding all the dangerous beliefs in the turbulent surface of the renewed relationship of the three closest people. Vasek's other wish comes true - his dad teaches him the secrets of rock climbing. This shared passion, however, causes further conflicts between the two parents - much to the chagrin of both Vasek and his grandfather.

Four different couples' love stories are told as they each visit a cafe in a quiet alley. Their romances are in different stages, from sweet to bitter, like the different varieties of coffee available at the cafe.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

In the mockumentary "How to Tatort," Jasna Fritzi Bauer, Luise Wolfram and Dar Salim have to prove that they have what it takes to be part of the "Tatort" team. In the style of a fictional documentary, the series accompanies the newcomers during their fictional preparations for their roles as the new Bremen Tatort team - with plenty of satirical exaggeration and a whole lot of self-irony.

A comedy centered on Beth and Mark, a couple struggling to conceive, and Mark's unexpectedly helpful affair with Louise.

A feature length film revolving around Martin Creed's childhood memories. A little boy growing up, seen through the eyes and hair of a young woman. A coming-of-age story told in episodes from conception through the very earliest moments of infanthood to high school, art education and first love. An interwoven story of clothes moves up the body from socks and shoes to trousers and hats. Along the way some various helpful guides to side of life are offered in the form of chapters on "The Trouser Problem" and "What Are Moustaches For?". Based on a true story, memories were filmed in the places where they happened, including Lenzie Academy, Glasgow, where current-day students of the school perform in scenes from their of bullying, misbehaviour and sports. Other, dreamlike acts were filmed in an odd admixture of locations including Las Vegas, USA, and Ascoli Piceno, Italy. John McEnroe features in one fantastical scene on a Malibu tennis court.